“(Almost) Freedom”
By, Victoria James (aka Olivia Paxson)
So here I am, with a new key. A key to the future I never thought I would grant myself. I foot new ground, cautiously treading the tiles and patterns that will grid the footsteps of my new life. I nest in this place that should be my own, at least as much as a space you rent can be called “own.” Like a bird, I embellish with found objects and slowly whittle together a place that will soon reflect a space I desire to occupy. But perhaps not simply occupy, but inhabit. Yes. A space I desire to inhabit. Me. I pay my own rent with the money I make (and actually see now) which, every two weeks, goes into a bank account with my name on it. I mop my own floors, I load the dishwasher the way I want to, and run it, even if it is empty, simply because I can and will hear nothing. I must learn where the light switches are- most of them situated in places no one would expect. For months, I finger flat walls, still learning. Swatting at nothings, I curse out loud at my ineptitude to remember, trying to turn on a light that isn’t there (at least not yet). How odd it is trying to re-condition oneself. Something, that for ten years was so automatic, had become foreign. I struggle, trying to make it familiar once again. But I had done this before. I had done this when I was pregnant and 18 and we moved into the house he wanted, in the town he wanted, and painted the walls around every light switch I would grow accustomed to with the colors he chose. The same light switches my body still reaches for, on walls that aren’t even the same color. After enough time had passed, I was able to look back on the events that led to my moving out and finally see. All that had never been what I wanted. For him, I forgot how to want for myself. He made it very clear I had no idea what I wanted. I had come from a broken home and couldn’t possibly know what was important in life, what would make me happy. So I thought if I just tried harder, loaded the dishwasher the way he wanted and ran it only when it was nearly overflowing, never turned the A/C lower than he specified (even if I was pregnant and feeling about to combust from every crevice of my being)[OR: remembered to turn the A/C up to the acceptable temperature before he returned home from work and could scold me for having it a degree too low], that I would finally be what he wanted, and that, eventually, I might want me, too. That had always been what all of it was about—feeling wanted– and I let him make me believe I wasn’t, the same way I let my mother until he strode in on his white horse and I smiled as he carried me away.
I didn’t know it would be all of me. Until recently, I didn’t anticipate ever caring about what I wanted again. In one respect, he was right. I didn’t know what I wanted when I was eighteen, apart from someone to love me, who might make me feel worthy of loving myself. It took seven years to realize I would never get that from him. All I would get was a deep distrust of myself and the latent desires that had been desperately trying to persuade me to move on for the last four years I spent switching up and down those old, familiar light switches, secretly turning the air down in his absence, and hearing how I must have been dense if I couldn’t remember how to fit all of those damn dishes into the damn dishwasher so as to not have to run it twice. When I finally figured out what I wanted, or rather—allowed myself to listen to and pursue my own desires, I knew it had nothing to do with him, that house, or the relentlessly waning shadow of a woman into whom I had willingly let him break/beat me down. I packed up every last memory from that place, and took away only what I had left to re-build of myself. I tried to convince myself everyday, every god damn day I worked to get away from him, that I knew, somewhere, there must be more “self” left than I could presently feel. Maybe if I repeated this enough times, I would believe it was true. So, I chose to grid the life I would create upon these tiled floors. Over the first few months I lived here, I found a spot for nearly everything. I organized my prized, antique book collection in my grandfather’s glass-doored bookcase , just as I anticipated I would. I hung my favorite photographs upon the bare, white walls. I have adorned my nest with the silky, red ribbon of desire– the desire to be enough, all on my own. I come and go as I please, simply because I can and I will hear nothing. I have no repercussions to fear. In those couple months, I had not cried with the frequency or fervency that characterized my life with him. Until last night, I was convinced I had effectively, and with remarkable grace, followed the instructions on how to move on. It was pitch black in my apartment. I unlocked the door and reached to turn on a light whose switch was not there. For a moment, I felt like cursing at myself, as I usually did, for not remembering by now where to turn on the fucking light. Overtaken, I turned to that very spot on that white, sterile wall, and continued reaching, flicking an imaginary switch to no avail. Harder and with more tenacity I continued, silently balling, scratching my knuckles against that bare, white, wall, attempting to scratch out every time he grabbed my fists and punched me with them, every time he threw me on the ground and kicked me for not ever being who he wanted me to be, and especially every god damn time I let him come back and do it again. In a maddened rage of angst and fury, I helplessly tried to black out every ounce of memory I realized I had failed to erase. I could think of nothing I had ever wanted more badly than this. Despite my new surroundings, I had failed to forget that I wasn’t walking back through his door, where the light switch on the adjoining green wall is conveniently located. I hated and cursed the builders of this god-forsaken apartment. Who had the brilliant god damn idea to install the light switch some twenty paces from the front door? Incompetent bastards. I hated them.
But mostly, in this moment, I hated my hands. [I hated them for ever holding his hands.] I hated them for relentlessly reaching into the past, when all I wanted to do was build a future. I hated them for reminding me, when I wanted, more than anything I had ever remembered, to forget.
I wanted to turn off those old lights, and turn on my own.
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Your real life and the POSTER GIRL image you present to us are completely different than this story you have written.
As I once wrote, you remind me of the painting by Johannes Vermeer, GIRL WITH A PEARL EARRING. In fact, one of your photos on your web page has you wearing a very pretty earring. Maybe that’s why it comes to mind?
In modern times, the photographer who helped you create these shots takes second billing to the star, Vicky/Olivia. 500 years ago, the painter got credit and we have no idea who this girl was, or how she profited by posing for the portrait.
Through watching the movie, GIRL WITH A PEARL EARRING, we see great angst that the model may have had to go through in order to produce the art. In your case, we can see great angst in your writing about FREEDOM.
A friend of mine used to say that every time he saw a divorcing couple, with children, come in to his office for therapy, he inwardly groaned, because although there might be a divorce on the horizon, the children would keep the bonds of marriage intact forever.
None of this is really any literary criticism at all. In my enjoyment of books/movies/documentaries, I look for the psychological underpinnings of our behavior to understand what life is all about, particularly the aspects I don’t fully understand. I come from an abusive background, and have spent a lifetime trying to understand aspects of life that I was not able to participate in or understand at all.
So after viewing your video presentation on Phillip K Dick;s story, I thought about how books and video intersect, and I laughed as I thought of myself, recreated, in the character of, “CHEF,” in the 2001 version of the movie, Apocalypse Now Redux.
In the new version, he is given time to spend with one of the Playboy Playmates in return for a barrel of diesel for their helicopter, which is stranded in Vietnam. Chef is overwhelmed and dazzled, being in the real company of one of the fantasy ladies who have kept his spirit alive while his body has been trapped in the combat zone of Vietnam, and instead of asking for sexual pleasures, he spends his time arranging her dress and garments for his pleasure, as if he is taking a visual photograph of this amazing experience.
Chef has lost track of which of the Playmates he really adores, but the one he is with serves as his real life version of a fantasy he thought unobtainable, to really be in the actual physical presence of a Playboy Playmate. By coincidence, he dresses her up in some Native American garb, similar to what is posted on your web site, and which was popular during that time period.
The reason I smiled is I think that my ability to contact you through social media gives me, an old Vietnam Veteran, some of the same pleasure that Chef had as basked in the presence of real Playboy model.
In any case, you may wish to erase this posting, which really has something more to do with my personal views of psychological well being, and not really literary criticism. Except to say that the Elephant In The Room which is most obvious in your writing, is what you did not write about; your feelings about your children.
Therefore, it is my suggestion that you erase my comments, as they are not really proper literary criticism, except to say that, recently, on National Public Radio, a famous author said that the most hostile climate he has ever encountered is in the rooms of literature, where fellow writers have savaged his works.
Roger in Maine, with the memories of my deceased dogs chasing moose down the road.
Hello again, Roger!
I really enjoy your posts, and if you don’t mind, would like to keep it posted on the site.
You have the great ability to relate literature, real life, and film in a way that I don’t usually encounter.
And on the topic of my children: Well, when I did my Inside Edition interview back in May, the reporter asked if I would provide photos of my children to include in my segment. I was appalled! With the amount of attention I was receiving, and still receive, I felt that my image as a public figure might endanger them. I do, however, speak of my children and the struggles associated with my professional career and my parenting “career.”
However, I do realize that you are referring to my not specifically writing about my children. This reminds me of a time that an intimate partner of mine once asked: “Why don’t you like to write about love or things like that?” The only answer I had was this: In addition to writing for my audience, I also write for myself. As the creator, I write about those things in life that aren’t easy to deal with. Love and joy and serendipity are all themes that intersect in my writing, but they oftentimes don’t require much work by the nature that they are pleasant and easy to accept. But strife, loss, or experiencing the unexpected, produce circumstances and feelings that we, as humans, labor with most to cope and subsequently to understand. The more “negative” experiences have the ability to haunt us. We oftentimes need aid in the process of that coping and understanding. Therefore, I write to (a) heal, grow, and learn as an individual and to (b) help others heal, grow, and learn, as well. By sharing these challenging life circumstance through my writing, a am able to define myself and continue putting one foot in front of the other every rosy-fingered dawn (an epithet passed down from Homer and Shakespeare, most notably). However, it is my sincere hope that my sharing builds a community amongst humans. Aren’t we all having some human experience? These “others,” or readers, don’t necessarily have to have gone through the same experiences, or even similar ones. Perhaps some readers have never been exposed to those things of which I write, and in those circumstances, I wish my work to broaden their self-awareness or even external awareness. Perhaps my insights will expand or modify these readers’ previously held ideologies, incite some readers to question universal truths and ultimately grow, intellectually or empathetically, as human beings.
In this context, I suppose that my experience as a mother has not been one in which I have struggled with as much as compared to other events in my life. They bring me a source of joy, pride, emotional fulfillment, and so much more. Sure, I have difficult times parenting, just as everyone does (and those people who insist it is always rainbows and unicorns one-hundred percent of the time are complete ninnies– they shouldn’t be trusted). But, my healing and self-discovery right now, at this point in my life, aren’t rooted in parenting. They are currently rooted in a different set of issues which, if I don’t write them down, attempt to burst out of every atom of every cell in my body.
Thanks for your posts, as always, Roger.
Fondly,
Olivia
xoxo